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From Matthäus-Passion, BWV 244
Voice / Vocal Fach Bass
Original key D minor
Language German
Composer Johann Sebastian Bach 1685 – 1750
Poet Picander 1700 – 1764
Range Komm süßes Kreuz

Komm süßes Kreuz set by Picander was composed by Johann Sebastian Bach in 1727 (D minor). This aria is the sixty-sixth number of the second part of the St Matthiew Passion.

In 1724, when J.S. Bach was appointed to Saint Thomas Church in Leipzig, he was told by the city council of the time, he would not be permitted to compose any theatrical music. He respected those demands and never staged any of his cantatas, including his Saint Matthew’s Passion, performed for the first time at Saint Thomas Church in Leipzig, in 1727.
Nevertheless, Bach still wrote an immensely theatrical and dramatic Passion where drama and music are closely intertwined. Saint Matthew’s Passion is with no doubt one his most monumental and remarkable compositions owning to the length of the text but also to the ambitious orchestration: no less than four soloists, a large orchestra of strings, flutes, oboes, a harpsichord, an organ and two choirs join to narrate the last hours of Christ before crucifixion.
As, in his earlier Saint John passion, Bach structures his piece around the gospel recited by the Evangelist (the tenor) and the words, emotions, voiced by others taking part in the most painful episode of Jesus Christ’s life, combining them all in recitatives, arias and chorus numbers.

Komm süßes Kreuz is the sixty-sixth number of Saint Matthew’s Passion. Jesus has been sentenced to death by a vindictive crowd and is to be crucified. The soldiers, nastily force him to wear a crown of thorns (Da nahmen die Kriegsknechte, N.62) and walk him to the execution spot. As Jesus, falls weak, they force Simon of Cyrene to carry Jesus’ cross in his place (Und da sie ihn verspottet hatten, N.64). Komm süßes Kreuz sets the words of faith and trust of a Christian ready to bear sufferings and pain. It is orchestrated for basso continuo and viola da gamba. The part of the viola da gamba is virtuosic, tortured, as if depicting the sufferings of Jesus on his walk of pain. Bach achieves to combine austerity and expressive virtuosity: austerity in the orchestration and the vocal line connecting the music to the horror and shame of what is happening and virtuosity for the viola da gamba, depicting pain and agony.

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Sing Komm süßes Kreuz by J. S. Bach

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Komm süßes Kreuz originated was composed by Johann Sebastian Bach . The original lyrics are in German. The melodious note arrangement of Komm süßes Kreuz ranges from pianissimo (very soft) mellow notes to forte (loud) notes carrying the player and the audience through an array of vivid emotions. The sweet soft beginning of the music piece gradually increases and decreases the loudness in smooth transitions. This music piece is decorated with phrases, slurs and an arpeggio. A perfect composition for piano players to try with an intermediate knowledge in music. Students can make use of this sweet music piece to improve their knowledge in music expressions, ornaments and sight-reading, while all music lovers could enjoy this brilliant extract whole-heartedly. Komm süßes Kreuz sheet music produced by Lyribox is clear, precise and is transcribed in English by Lyribox. By purchasing Komm süßes Kreuz sheet music from us, you can simply sing along as you play this masterpiece on your piano. Unlike many sheet music sold online with all black notations, sheet music we offer you is marked using three distinct colors. While piano notation is illustrated in black, the music expressions and the lyrics are given in red and blue respectively. Get Komm süßes Kreuz by J. S. Bach sheet music from Lyribox today to enjoy and share this wonderful music composition with your friends and family.

Komm süßes Kreuz piano accompaniment is offered by Lyribox is mellow and smooth. It feeds the poem an underlying pulse, adding a sense of propulsion to it. Meanwhile the vocal line flows in a dreamy leisure manner forcing the audience into a calming and languid mood. The vocal line of Komm süßes Kreuz by Lyribox has the potential to provide slight pitch support for the voice’s sometimes unusual intervals, enhancing the fullness of it. This accompaniment is not at all demanding. Using these rich Komm süßes Kreuz accompaniments you could create one of the most brilliant performances that is pregnant with layers and layers of expressions. Purchase the Komm süßes Kreuz piano accompaniment together with the vocal line accompaniment from Lyribox today!

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Music is said to be a universal language, but when delivered in your own language the ability to feel and understand the composer’s creation becomes easier. Komm süßes Kreuz , which is ranked as the best known works of J. S. Bach for voice has been translated from German to English by Lyribox. Enjoy a beautiful masterpiece of Oratorio Aria in your mother tongue. Lyribox also offers verse-to-verse translation and Ipa translation. These music translations are perfect for music schools, students learning classical music and anyone who has a passion for classical western music. Now you can reserve your by J. S. Bach translation for the lowest price in the market, if your purchase it from this premium platform. Besides Lyribox has also provided you with two German audio text files of Komm süßes Kreuz . One with a normal tempo and the other with a bit slowed version. Based on your preference you can choose the ideal audio file to adopt

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