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ABOUT THE OPERA ARIA
From Otello, Act IV, Scene 2
Voice / Vocal Fach Soprano/ Lyric Soprano
Original key Ab Major
Language Italian
Composer Guiseppe Verdi 1813 – 1901
Poet Arrigo Boito 1842 – 1918
Range Ave Maria- Otello
Presentation

Ave Maria, a setting by Arrigo Boito, was composed by Giuseppe Verdi in 1885 (Ab major) and premiered in 1887. This aria takes place in act IV of his opera, Otello.

After the astounding success of Aida in 1871, Verdi had decided to retire and his editor, Guilio Riccordi went to great length to convince him to compose another opera. Introducing him to Arrigo Boito, he repeatedly insisted on Verdi working on his libretto of Otello, first handed in 1879. It was not before five years later that the opera was completed, in 1885. At its premiere in 1887, it proved to be a tremendous success and was soon performed across Europe.

Act I opens on a violent tempest at the port of Cyprus where Otello, new governor, is awaited. As Otello’s ship battles the ocean, all hope they will arrive safe, except Iago. The ship succeeds in reaching the shore and Otello is acclaimed for his victory against the Turkish by his people. In the meantime, Iago and Roderigo are having a conversation: the two of them hate Otello; Iago, because, Otello had Cassio promoted as a captain of the navy in his place and Roderigo because he desires Otello’s wife, Desdemona. Iago aims for revenge and decides to ruin the coming celebrations and convince everyone Cassio is responsible one. He encourages Cassio to drink and then asks Roderigo to provoke him. Cassio reacts violently and refuses to calm down when Montano orders him to. When they fight in duel, Montano is hurt. Otello arrives, alerted by the disturbance and asks Iago what has happened. Iago pretends he doesn’t know and when Otello sees Montano has been hurt, he furiously takes back Cassio’s promotion as a navy captain. All go home, and Desdemona and Otello are left to unite, lovingly.

Act II opens on Iago manipulating Cassio who has asked for his guidance. He advices him to ask Desdemona to intercede for his reinstatement. He follows his instructions and awaits for Desdemona in the gardens. She sees him, she sends her maid, Emilia, away and they speak one to one. When Otello arrives, Iago alludes to the fact he should beware of the relation between his wife and Cassio. His jealous temper is aroused and when Desdemona intercedes for Cassio, he reacts furiously. She tries to calm him down and wants to wipe his forehead with her handkerchief but Otello throws it away. As they leave, Iago forces Emilia, Desdemona’s maid and his own wife, to give him the handkerchief. Otello is convinced of Desdemona’s infidelity and Iago invents a story proving Cassio and Desdemona could be lovers, as he saw Cassio with her handkerchief. Otello furiously, decides to seek revenge.

In Act III, Otello finds himself unable to focus on diplomacy. When he meets Desdemona again, he asks her for her handkerchief and she tells him she doesn’t have it. He accuses her, but she swears she is innocent and tries to intercede again for Cassio. He is outraged and she leaves terrified by his fury. Otello, then hides to overhear all the conversation between Iago and Cassio. Iago manipulates the conversation and asks Cassio about his mistress Bianca in a way that is seems they are speaking of Desdemona. Cassio, then tells him about the handkerchief he found in his room (Iago put it there) and Otello’s fury reaches its paroxysm.
Convinced of Desdemona’s infidelity, he decides to kill her and promotes Iago to captain of the navy. Someone arrives, with a letter announcing the Doge of Venice has decided Otello would be his successor which means he need to leave. When he sees Desdemona’s sadness, he mistakenly believes she is saddened to be soon separated from Cassio. Outraged, he throws her to the floor in front of everyone. Iago and Roderigo understand they need to act fast and the couple will be leaving tomorrow. Otello asks everyone to leave and faints with rage and despair.

Act IV opens on Desdemona awaiting Otello in their room. She is filled dark thoughts and asks her maid, Emilia to have her buried in one of her nuptial veils. She decides to pray and sings her beautiful Ave Maria.

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Sing Ave Maria- Otello by G. Verdi

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Sheet Music
Ave Maria- Otello originated was composed by Guiseppe Verdi. The original lyrics are in Italian. The melodious note arrangement of Ave Maria- Otello ranges from pianissimo (very soft) mellow notes to forte (loud) notes carrying the player and the audience through an array of vivid emotions. The sweet soft beginning of the music piece gradually increases and decreases the loudness in smooth transitions. This music piece is decorated with phrases, slurs and an arpeggio. A perfect composition for piano players to try with an intermediate knowledge in music. Students can make use of this sweet music piece to improve their knowledge in music expressions, ornaments and sight-reading, while all music lovers could enjoy this brilliant extract whole-heartedly. Ave Maria- Otello sheet music produced by Lyribox is clear, precise and is transcribed in English by Lyribox. By purchasing Ave Maria- Otello sheet music from us, you can simply sing along as you play this masterpiece on your piano. Unlike many sheet music sold online with all black notations, sheet music we offer you is marked using three distinct colors. While piano notation is illustrated in black, the music expressions and the lyrics are given in red and blue respectively. Get Ave Maria- Otello by G. Verdi sheet music from Lyribox today to enjoy and share this wonderful music composition with your friends and family.

Accompaniment
Ave Maria- Otello piano accompaniment is offered by Lyribox is mellow and smooth. It feeds the poem an underlying pulse, adding a sense of propulsion to it. Meanwhile the vocal line flows in a dreamy leisure manner forcing the audience into a calming and languid mood. The vocal line of Ave Maria- Otello by Lyribox has the potential to provide slight pitch support for the voice’s sometimes unusual intervals, enhancing the fullness of it. This accompaniment is not at all demanding. Using these rich Ave Maria- Otello accompaniments you could create one of the most brilliant performances that is pregnant with layers and layers of expressions. Purchase the Ave Maria- Otello piano accompaniment together with the vocal line accompaniment from Lyribox today!

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Translation
Music is said to be a universal language, but when delivered in your own language the ability to feel and understand the composer’s creation becomes easier. Ave Maria- Otello, which is ranked as the best known works of G. Verdi for voice has been translated from Italian to English by Lyribox. Enjoy a beautiful masterpiece of Opera Aria in your mother tongue. Lyribox also offers verse-to-verse translation and Ipa translation. These music translations are perfect for music schools, students learning classical music and anyone who has a passion for classical western music. Now you can reserve your by G. Verdi translation for the lowest price in the market, if your purchase it from this premium platform. Besides Lyribox has also provided you with two Italian audio text files of Ave Maria- Otello. One with a normal tempo and the other with a bit slowed version. Based on your preference you can choose the ideal audio file to adopt

the right pronunciation and timing. While the text file with the normal tempo will help you with your timing, the slower one will help you catch the correct Italian words. To get your song perfect, buy the audio texts from Lyribox now!