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From Andrea Chénier, Act III
Voice / Vocal Fach Soprano/ Lyric Soprano
Original key G Major
Language Italian
Composer Umberto Giordano 1867 – 1948
Poet Luigi Illica 1857 – 1919
Range La mamma morta

La mamma morta, a setting by Luigi Illica, was Umberto Giordano in 1896 (G Major) and premiered the same year. This aria is part of Act III of his opera, Andrea Chénier.

Andrea Chenier is the most appreciated of Umberto Giordano’s operas, mainly because of the beautiful tenor part he composed for the role of Andrea Chenier. Premiered at the Scala as the composer had not yet reached thirty, this opera is a typical example of Italian verismo opera where the depiction of poverty is associated to throughout composed music and realistic language.

Act I opens on the Parisian palace of the Countess of Coigny. Servants are working hard to prepare the coming ball. Carlo Gérard, a majordomo is full of hatred towards his noble masters as they exploit the servants without pity. He only feels affection for Maddalena the daughter of the family, who likes spending time with them all. As the evening begins, Andrea Chénier, a popular poet is asked to improvise a poem but refuses. Maddelena mocks him and he furiously composes a poem about the suffering of the poor that shocks all the noble guests. Maddalena is ashamed of her mockeries and asks for his forgiveness. A crowd of hungered people interrupts, asking for food but the Countess sends them all out. Gérard repudiates his services and leaves with his old father.

Act II opens on a Café where we meet Bersi (the maid of Maddalena) now a Merveilleuse (artists of the time). Chénier seems to know her and they communicate non-verbally. Roucher arrives and warns his friend Chénier he is about to be arrested. He offers him a false passport and urges him to flee. Chénier refuses at first, as he is awaiting a mysterious woman who has been writing him love letters. Roucher convinces him to accept the passport. A procession of revolutionary leader including Gérard enter the café. A spy reports on Betsy acting suspiciously. Later, in the night, a woman enters and uncovers herself in front of Chénier. He recognizes Maddalena and they express their passionate love to each other. They are denounced to Gerald who arrives as they are leaving. The both men fight and Gérard is hurt. He advises the two love-birds to flee and when other soldiers arrive tells them he does not know who his assailant was.

Act III opens on Gérard convincing people to help the revolution. He is told Chénier has been arrested and they are waiting for Maddalena to come for him. He is pressured to write charges against Chénier. He feels he is, by doing so, betraying the Revolutionary ideals, however he signs and the document is brought to the trial. Maddalena enters to plead for Chénier’s life. Gérald lets her know he has always been in love with her and that if she accepts to be his, he will have Chénier released. She refuses. Gérald renounces when he realizes how strongly she loves Chénier and Maddalena tells him about her life since her mother was murdered and she was left with nothing in her aria: La mamma morta.

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Sing La mamma morta by U. Giordano

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La mamma morta originated was composed by Umberto Giordano. The original lyrics are in Italian. The melodious note arrangement of La mamma morta ranges from pianissimo (very soft) mellow notes to forte (loud) notes carrying the player and the audience through an array of vivid emotions. The sweet soft beginning of the music piece gradually increases and decreases the loudness in smooth transitions. This music piece is decorated with phrases, slurs and an arpeggio. A perfect composition for piano players to try with an intermediate knowledge in music. Students can make use of this sweet music piece to improve their knowledge in music expressions, ornaments and sight-reading, while all music lovers could enjoy this brilliant extract whole-heartedly. La mamma morta sheet music produced by Lyribox is clear, precise and is transcribed in English by Lyribox. By purchasing La mamma morta sheet music from us, you can simply sing along as you play this masterpiece on your piano. Unlike many sheet music sold online with all black notations, sheet music we offer you is marked using three distinct colors. While piano notation is illustrated in black, the music expressions and the lyrics are given in red and blue respectively. Get La mamma morta by U. Giordano sheet music from Lyribox today to enjoy and share this wonderful music composition with your friends and family.

La mamma morta piano accompaniment is offered by Lyribox is mellow and smooth. It feeds the poem an underlying pulse, adding a sense of propulsion to it. Meanwhile the vocal line flows in a dreamy leisure manner forcing the audience into a calming and languid mood. The vocal line of La mamma morta by Lyribox has the potential to provide slight pitch support for the voice’s sometimes unusual intervals, enhancing the fullness of it. This accompaniment is not at all demanding. Using these rich La mamma morta accompaniments you could create one of the most brilliant performances that is pregnant with layers and layers of expressions. Purchase the La mamma morta piano accompaniment together with the vocal line accompaniment from Lyribox today!

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Music is said to be a universal language, but when delivered in your own language the ability to feel and understand the composer’s creation becomes easier. La mamma morta, which is ranked as the best known works of U. Giordano for voice has been translated from Italian to English by Lyribox. Enjoy a beautiful masterpiece of Opera Aria in your mother tongue. Lyribox also offers verse-to-verse translation and Ipa translation. These music translations are perfect for music schools, students learning classical music and anyone who has a passion for classical western music. Now you can reserve your by U. Giordano translation for the lowest price in the market, if your purchase it from this premium platform. Besides Lyribox has also provided you with two Italian audio text files of La mamma morta. One with a normal tempo and the other with a bit slowed version. Based on your preference you can choose the ideal audio file to adopt

the right pronunciation and timing. While the text file with the normal tempo will help you with your timing, the slower one will help you catch the correct Italian words. To get your song perfect, buy the audio texts from Lyribox now!